Using a careful selection of contemporary tintype images that combine contemporary elements and a way of posing with those of traditional elements, I strive to portray Native Americans in or transitioning between their two worlds; traditional and contemporary. Some of the work may be a citation to Edward Curtis’s work, but the project seeks to accurately and honestly portray present day Native Americans. Natives collaborated with the work, and were given the choice on how they wanted to be portrayed, and what clothing or regalia to wear. Unfortunately, the general non-native knowledge of Native Americans is still mostly rooted Hollywood stereotypes media, sports mascots, and in school room half-truths. The result is an unfaithful narrative. From a young age, most people in the United States have been immersed in the current dominant narrative about Native peoples. It’s a largely untrue and deficit-based narrative, as it focuses on challenges and weaknesses, rather than on strengths, positives, and opportunities. These narratives are almost always created by non-Natives, often with the intention to oppress Natives and their cultures. The effects are damaging, leading to poor self-image, suicide, alcoholism, and lack of individual drive. It also reinforces negative stereotypes among non-Native people, thus often shaping thought process and actions. In my work as a photographer, I have learned directly from Native Americans. I am a recognized ally and accomplice in collaborating on portraying the truth of today’s Native Americans. I’ve had the privilege of chronicling their lives “living in two worlds,” that of traditional and tribal culture, and that of modern civilization; and sometimes the confusion and gray area in between. In summary, this project is about disclosure, consent, and collaboration.* *full essay available on request.
